Novice Class
by Phil Napier
 |
Welcome to Novice Class for June, 1998. I have had the pleasure
of attending the Maryland International Kite Exposition and the Wildwood International
Kite Festival since submitting my last column to the editor. If you have recently become
interested in kiting, you owe it to yourself to attend a large festival, take in the
sites, and fly the kites. PLEASE be more than just a spectator, walk up to the
folks attending to the kites and ask questions. Youll find out that many (if not
most) have made the kite they are flying and they would love to answer your questions
about it or discuss kites in general. |
It is these shared experiences with others in this
activity/sport/hobby that I find most rewarding. As a general rule, you will find kiters
to be open and willing to share. If you are not an AKA member, visit the AKA Website at http://www.aka.kite.org and become a
member
Tell them that I sent you. There are many benefits to becoming a member, but
with membership you can be a better informed kite flier.
I had the pleasure of meeting several of the top Eastern League novices at MIKE and
Wildwood. I am in the process of contacting a few of them to include brief interviews with
each in my column. Hey, this column is called Novice Class, so it might be a good idea to
spend some time talking about the Sport Kite Novice Competitors in the AKA. I do not want
my column to be limited to novices on the East Coast of the U.S. It just so happens that I
attend most east coast events and know many of the novices that are competing this year.
SO
Heres where I ask you for some assistance. Send me the name(s) of one or
more novice competitors you know about, along with their email address and Ill
conduct an "interview" for inclusion in this column. There is plenty of press on
the top teams and top individuals competing
I feel there are many interesting
stories behind the novice competitors and we can all benefit from knowing the novices a
little better.
As I said earlier, I recently attended the MIKE and Wildwood events. I noticed a few
novices ONLY competing in Novice Ballet. Now, I encourage anyone to compete in whatever
events they enjoy most but remember that Precision is still important and you
should practice it even if you choose never to compete in any precision event. Please be
aware that I still dont like precision
I know it will make me a better flier
so I have really been practicing it lately and it has paid off in my competitions in the
Intermediate Class this year.
Kite Making Tip for June
I have not been doing too much sewing recently. My only projects since April have been
a 40-foot tube tail and a 3-foot soccer ball for line laundry. I have discovered something
that can be very beneficial in the sewing together of ripstop. Spraying a light coat of
water on the surface of ripstop can really help when sewing two pieces together when they
are placed one on top of the other before sewing the seam or when doing applique. I have
only tried this technique on a couple of projects but it has worked well each time so I am
passing on the tip to you. Let me know what you think.
Competition tips
If you have not read Bert Tanakas column on ballet in Mays Kitelife
then you should. This month I was going to spend talking about Ballet. However, Bert had
such a wonderful column in last months issue
I will not try to re-invent the
wheel
Ill just add some stuff that I wish folks had told me before I started
competing in novice class.
First, remember that this is for fun
you are paying your registration fees to
compete but if you dont win
Dont go home in a funk and sell all of your
kites. Talk to the judges afterwards youll be surprised but most will be
quite frank with you and offer suggestions that can improve your routine. Remember that it
takes a lot of work to develop a ballet routine, both on and off the kite field.
I feel that there are several key components to building a good novice routine. They
are: Music Selection, Precision Skills, Field Management, and Kite Selection.
Music Selection
Select a piece of music that you enjoy. You will be listening to this music hundreds of
times so it should be something that you enjoy. I have noticed that soundtrack music is
popular at competitions but it just doesnt do anything for me
HOWEVER,
soundtracks do offer the competitor a music selection with variety as well as a
"beginning" "middle" and " end" of the song. A GOOD movie
SOUNDTRACK selection is certainly an option to consider on the competition field.
Generally speaking, soundtracks are slow enough to build a routine for varied wind
conditions and this is definitely something you should consider when selecting music. One
common them that keeps being mentioned in the ballet seminars I have attended is
opportunity. Does the music provide the competitor with opportunities? Flying to a music
selection that is VERY SLOW AND SMOOTH is difficult to judge. Pick music that has
opportunities for big circles as well as sharp corners. Match the music.
I feel that a great routine is one where I feel like Im watching a dance
performance or something. The music enhances what is going on. I feel drawn toward the
kite, wondering what is going to happen next.
The bottom line is to pick music you enjoy, but remember that there must be obvious
places where your kite is "with" the music or the music is "with" the
kite. This type of music is easier for the judge to understand. My friend and TC Ultra
flier - Dennis Smith - who placed second in Masters Ballet at Wildwood this year flew a
magnificent routine to some old sci fi TV themes which included the twilight zone. The
routine included side slides, wiggles and shakes of the kite, as well as a couple of
axles. Everything
and I do mean EVERYTHING matched the music. It was magnificent.
This was quite a contrast from some routines where I saw a lot of tricks and was left
wondering what had happened. All of the winning routines at Wildwood in masters ballet had
GREAT MUSIC.
Music DONTS!!!
-Avoid music that is too fast. What will undoubtedly happen is youll have to fly
the routine in 4mph when you really need a steady 9 to match the music. You can always
slow things down by making figures and maneuvers larger
but if youre in light
winds, your kite will only go so fast on 80 120 foot lines. A sluggish kite can
translate to a poorly executed routine.
-Dont select offensive music. Remember that not everyones tastes are the
same as yours. I know that good judges do not judge the music
but try to pick
something that everyone will enjoy. Also
please note that there is a rule in the AKA
rule book about offensive language in a routine
if your music has "dirty
words" in it
it could be deemed offensive by the head judge and you would be
disqualified.
-Dont choose music that is too repetitive. A little repetition is OK as long as
your kite is not being repetitive with each segment of the music that repeats. Too much
repetition translates into bored judges, and a routine that could be viewed as repeating
itself. Does this sound a bit repetitive? Not something I'd want judges to be
scoring!
Precision Skills
Include some precision figures in your routine. It tells the judges that you are
serious in learning about the sport and shows that you are attempting to put together
different elements in a routine. Also, it gives the judges something they can recognize
and allows them to see that you are flying more than big circles, figure eights, and
infinity downs
Field Management
Know where you are at on the competition field
This can only come with practice.
Be aware that if you are flying in light winds, there is a good chance youll need to
back up during your routine so your kite can have speed when you need it. Start out your
routine with plenty of room to back up. Also, when you do have good winds during your
routine
try to gain ground when you can so you have more room to back up if needed.
The converse applies for high winds. If you know youre going to be running forward a
lot in your routine for landings or stalls
start your routine with plenty of room to
move forward when needed.
Kite Selection
Have access to an ultralight, standard, and vented kite. Know the performance limits of
each. If you attempt any "tricks" in your routine with a kite you are unfamiliar
with
have a backup plan. For instance if you want to do a stall then axle in your
music
If the winds are blowing 15-20 and you havent practiced many axles in 15
mph winds
then do just a stall and hold it or a quick landing to accentuate the
music. In many cases, Ultralights perform different than the standard kite. Usually, they
require a little more slack and patience with tricks and do not like some things that the
standard kite does quite well. The best example I can think of is that of a
"turtle" or "backflip"
Not many Ultralights will come out of a
turtle
Be familiar with all of the kites you plan to fly. If you are not familiar
with the Ultralight or Vented version, have a backup plan for sections of your music.
Parting Lines...
KNOW THE RULES WHEN A NOVICE
REMEMBER the minimum windspeed is 4mph for novices.
You can call for a wind check and invoke a wind rule up to the halfway point of your
routine. If the wind is lightening up during your routine yell WINDCHECK!!! To the field
director. KEEP FLYING until you are told the wind speed. If wind speed is below the
minimum for your event yell IM INVOKING THE WINDRULE and LAND. At some events you
may be told at the pilots meeting that it will be "fly or die" meaning that
there will be no WIND DELAYS. Please be aware that EVERYONE at the event wants you to have
the opportunity to fly your routine in good wind
just remember that you must be
aware of the rules that give you that opportunity.
During my Intermediate Ballet routine at Wildwood
I started my routine twice and
called for a wind check less than 45 seconds into my routine each time. Each time the wind
was well below the 4-mph minimum for intermediate. I kept flying my kite and yelled back
to the head judge to confirm that I could invoke the windrule and land my kite. When I was
told I could land, I landed and waited for the wind to reach the minimum
windspeed. The
second time I launched my kite I had put my straps on the wrong hands and immediately
crashed my kite
fortunately the winds were not better the second time around and I
invoked the windrule again. After a 100 degree windshift and delay of about 10
minutes
I finally got to start my routine and had consistent wind throughout. I
ended up placing well at the competition
The moral of the story is to KNOW THE
RULES! |